Biography
Mourad Oudjit
Graduated in 2006 from the Higher Institute of Performing Arts in Bordj El Kiffan with a degree in acting.
Mourad Oudjit is a respected figure in the Algerian theater and screen scene. Known for his versatility, he has played in a variety of classical and contemporary productions both in Algeria and internationally. His fluency in four languages has expanded his reach and allowed him to take on diverse roles.
Theater Career
Mourad began his artistic journey in theater. He worked extensively with the Algerian National Theater and several regional and independent troupes. Some of his most notable stage works include:
The Physicists (2004)
The Little Prince (2005)
Abou Lioss (2007)
Yugurta (2007)
Predators (2008)
The Last Desert (2008)
Fixed Station (2009)
The Rehearsal (2010)
King Lear’s Daughters & Return of the Slaves (2011)
Land of Angels, The House of Joy, Father’s Dream (2012)
People’s Cry & Moon Sonata (2013)
Divorce Without Marriage (2015)
He also wrote and directed Free Fall (2014), staged by the “Mahfoud Twahri” troupe in Miliana, highlighting his directorial and writing capabilities.
Film and Television Work
TV Series
Hob Mlouki (Royal Love) – 2022
Mashaeir 2 (Emotions) – 2021
Jorouh El Hayat (Wounds of Life) – 2009 (as Ahmed)
Sahir’s Segment – 2024
Films
Héliopolis (2021) – Played the role of Bachir
Abou Leila (2019)
Mustapha Ben Boulaïd (2009)
El Harifa 2: La Remontada (2024)
In interviews, Mourad has emphasized his commitment to meaningful roles. He expressed particular pride in his role as “Bachir” in Héliopolis, describing it as one of his most emotionally significant performances.
“Playing Bachir in Héliopolis was a deep, touching experience that I’ll always carry with me.”
Mourad Oudjit is a multifaceted Algerian actor and director whose contributions to theater, cinema, and television have earned him a respected place in the North African cultural scene. His passion for storytelling and his dedication to the craft make him one of Algeria’s most committed contemporary actors.
